Best of Xmas '09: Roku Netflix Player
Ned Kelly (2003): Not as good as I was hoping, but some of Orlando Bloom's better work.
*Cashback (2006): Surprisingly good indie romance about an insomniac art student who stops time in order to draw shoppers at his night job. Lots of nudity, for those who go for that sort of thing.
*Bill (2007): Great work from Aaron Eckhart, playing a depressed guy having a mid-life crisis and his turnaround. This might have struck a more personal chord with me, but solid showing all around.
*Persepolis (2007): Animation biography of an Iranian girl who lives through the revolution, the 1980 Iran-Iraq war, and her coming-of-age in Vienna. Great look at Iranian life during the period, and an easy way to digest the political turmoil.
*Who Framed Roger Rabbit (1988): A Perin childhood classic that gets better every time you watch it. Best line from the film: Eddie Valiant (Bob Hoskins) to a couple of 9 year olds, "Hey kid, thanks for the cigarettes!"
The Paper Chase (1973): The seminal law school movie, I had to watch innumerable clips from this during the first week (probably because all of my profs are Harvard Law alums). What's weird is that the protagonist looks eerily like my father in the 70s.
The Brothers Solomon (2007): Let me put it this way - it's painfully obvious that Will Arnett wrote this.
The Natural (1984): Robert Redford's baseball opus of farm-bred talent, big-business corruption of the sport, and redemptive tragedy.
*Dan in Real Life (2007): GREAT romantic comedy about a widower columnist who falls in love with his brother (played by Dane Cook) 's new girlfriend.
The Illusionist (2006): Visually stunning, realistically lacking. Although I now see what Justin Timberlake sees in Jessica Biel.
Smart People (2008): This one was surprisingly good, giving me a chuckle over memories of academic ego contests with my college roommate Jeff.
Ali G Indahouse (2002): Sacha Baron Cohen's first movie based on his sketch characters, this proved a very interesting view of how he satirizes the levels of English society.
Hoosiers (1986): Touted as 'the best sports film ever made', I was sorely dissapointed. Another movie touting the superiority of humble farm origins, I laughed at the structure of the climax, in which the small-towners (all white) faced the state powerhouse Central South Bend (all black) for the title.
*My Fellow Americans (1996): One of the greatest political comedies of all time, this movie lists amongst my favorites. Two former presidents (the Republican is from Ohio) from different parties join up to expose corruption in the White House.
*Dnevnoy Dozor (Day Watch) (2006): Stunning sequel to 'Nochnoi Dozor' (Night Watch), this series is described as Russia's answer to The Matrix. Of course, when this was written, the brothers Wachowski hadn't ruined the series with the third movie. I recommend
Revolver (2005): Easily Guy Ritchie's most ambitious plot, this one aspires to be a psychological drama which ends up being clumsily executed. Parts are good, but overall too much.
*Broken Flowers (2005): I liked this one a lot. Bill Murray, through Lost in Translation, The Life Aquatic, this, and his brief stint in The Darjeeling Limited, has become a reliable weather-vane for good films. This bit has similarly limited appeal, but within that bit, fantastic. This movie sees Murray recieve a mysterious and anonymous letter from an old flame telling him he has a 19 year-old son, which leads him to track down the 5 potential mothers and visit them to find out who sent the letter and to meet his child.
Half Nelson (2006): This movie recieved acclaim, but largely for heralding Ryan Gosling's arrival as a dramatic actor. Far better than this was his role in Lars and the Real Girl a year later, which I would highly recommend.
*Bananas (1971): Woody Allen is hit-or-miss with me, which is a higher score than he gets from most. This is one of my favorites (doesn't hurt that it's a political satire).
**Expelled: No Intelligence Allowed (2008): The only documentary on this list is also the only one to earn two asterisks. Ben Stein does an amazing job at examining why the theory of Intelligent Design has been excluded from scientific pursuit by the powers that be. If anyone was unaware that Scientism was a religious doctrine of its own, this film is tremendously persuasive.
This is England (2006): Set in post-Falklands 1983, this movie chronicles a young boy's entrance into the world of Skinheads. Being a student of fascism myself, this piece does a good job at portraying the course of entrance into ethno-nationalist fringe groups.
War, Inc. (2008): Intended to portray the growth of Private Military Companies and the relationship now enjoyed between the US government and contractors like Halliburton (and to a lesser extent, the old and venerable suppliers like Lockheed Martin, Boeing, SAIC, and Northrop Grumman), this movie was so over-the-top, I couldn't watch the whole thing. While I agree that perhaps the relationship between state and commercial enterprise has gotten too comfy when it comes to war-making, we have not yet seen the full return of the Condottieri.
Carbon Copy (1981): Denzel Washington's first movie, this social commentary on race is overtly simple, but considering its time, probably pretty daring. I was surprised at how charming Denzel was even at his start - reminding me very much of a certain Fresh Prince.
Color Me Kubrick: A True...ish Story (2005): I like John Malkovich, and Kubrick interests me, so this one was a surefire pick to end up on my Instant Netflix queue. The story draws heavily from a real person who impersonated Stanley Kubrick to enjoy society and prey on naive gay men. Better acting than the film is compelling, and Malkovich is at his weirdest (which is good).
The Viking Sagas (1995): This movie easily could have been made in the 80s, alongside Rambo, Predator, Commando, Rocky, and Conan the Barbarian, and would have made Ralf Moeller a star, had he been born a decade sooner. What is cool is how much of the story was drawn from actual Icelandic sagas (Njall's Saga is a good place for beginners to start, if interested as I was). And there's nudity, which never hurts.
Corpse Bride (2005): Tim Burton is also hit-or-miss with me. I loved his take on Sweeney Todd, and The Nightmare before Christmas is a classic, but this was just ho-hum. Probably a better entree for Kids into Burton's world.
*Paris, Je T'aime (2006): This series of vignettes (one for 20 neighborhoods of paris) is pure gold, largely due to the 5-minute limit placed on the directors, assures their best and tightest direction. Steve Buscemi's part for the Coen brothers, is particularly good.
Crimes and Misdemeanors (1989): Woody Allen's first stab at Dostoyevsky (his second, Match Point, is more successful, but less true to Crime and Punishment), this one helps if you're a fan of Russian Lit, and also a life-time manhattanite.
Soldier (1998): My favorite Kurt Russell movie, this sees a futuristic batch of super soldiers replaced (as "obsolete") only to demonstrate that experience counts for more than potential. Better than Viking Sagas, but chalked up to my weakness for macho action films just the same.
Matchstick Men (2003): I love movies about confidence men - it provides for fantastic story-driven plotlines when done right (Snatch, Lock, Stock, and Two Smoking Barrels). Nicholas Cage does a compelling job here as an OCD con man who finds out he has a 14-year old daughter.
The King Maker (2005): Portuguese mercenary, Indochinese kingdom, this film appealed to the historian side of me. Sadly, the dialogue was terrible, the fight scenes campy, and the plot holes many. Not the worst action film I've seen, but the worst on this list.
*Happy Gilmore (1996): I debated not giving this one an asterisk only because Happy wears a Boston Bruins sweater through much of the film, and I loathe all Boston sports teams. But I loathe the Bruins the least (that's right, you Crimson bitches), and he does get his ass kicked by Bob Barker.
**Seven Years in Tibet (1997): Alright, so I lied. This, too, deserves a second asterisk. A visually stunning feature which tells of Austrian mountaineer Heinrich Harrer's journey through Tibet, giving a harrowing chronicle of China's invasion and takeover. If you weren't a liberal 'Free Tibet' hippie before, this film will remind even the most hardened conservatives that an independent Tibet is ardent anti-communism.
*Conversations With Other Women (2005): This was very cleverly made, shot in split-screen, and an acting tour de force from Aaron Eckhart and Helena Bonham-Carter, who are alone for most of the film. Highly recommended.
Ratatouille (2007): As mocking as I am of the French, and detestful of vermin, this film's meritocratic message does have appeal. I might have to watch this again, however, when a certain someone comes to visit in February.
The funny bit of this is that I watched the first 18 or so during the first weekend I had the Roku box. With 150 movies queued, I've got a ways to go. But as Netflix also offers television, my most recent foray has been a little-known British series from my favorite Python, Terry Jones:
Terry Jones' Medieval Lives (2004): This series takes a look at Medieval archetypes and the common misconceptions that modern society holds. Often raunchy (but tempered, as made for public broadcast) in its evidence, the series proved (at least to your author) that we are indeed in a Neo-Medieval period. Scientism abounds, sexual propriety is limited, and authority is far from concentrated in the hands of state. It turns out the Medieval people (at least in England) were litigious, libidinous, propagandic, hypocritical, and incessantly commercial, and suggests that it was the 'Renaissance' and Victorian times that were so oppressive to women and the working classes, and regressive when it came to learning. This is worth buying for keeps. Bravo, Mr. Jones.
Fans of Medieval history, and Chaucer in particular, should read Mr. Jones' book, Chaucer's Knight: The Portrayal of a Medieval Mercenary.
Now, Instant Netflix requires purchase of their 2-dvd unlimited plan, and I've recieved two so far. Only fair to include those:
The Darjeeling Limited (2007): I like Wes Anderson's films. Not Bottle Rocket, of course, but the good ones: Rushmore (1998), The Royal Tenenbaums (2001), The Life Aquatic with Steve Zissou (2004), and this. What's brilliant about his work is that he uses an eye for overwhelmingly eccentric detail to portray particular points in life. In Rushmore, it was a two-part perspective on opportunity, from the eyes of an ambitious high schooler and a successful businessman not particularly taken with his own sons. The Royal Tenenbaums looked at divorce and an estranged family. The Life Aquatic with mid-life crises, and the confrontation of having lost the vigor and principled drive of youth. This film examines mourning, and uses each of its characters to portray differing reactions to the death of the family patriarch. One son attempts suicide, another flees the country, and a third struggles with his own pending fatherhood, who get together for a journey through India to find their mother, a recent entrant to a convent in the Himalayas. Perhaps my own personal experiences help Anderson's work speak to me (having divorced parents, having transferred to an elite university, finding early professional satisfaction, and losing my grandfather last year), but there is certainly far more to his movies that dysfunctional families.
The Last King of Scotland (2006): Forest Whitaker definitely earned the Best Actor Oscar for his portrayal of the psychopathic dictator Idi Amin. Good movie, highlighting the perils of naive liberal optimism, the textured realities of diplomatic relations, and the horrible dictators that have checkered Africa's history.
Next on the list: Mongol (2007)





